2021 is here. Now what?

January 6, 2021

It’s been a bit daunting to approach planning for this year, given the upheaval and chaos we are still experiencing. I have yet to meet a business person who did not declare 2020 to be the most perplexing and challenging year of their career.

Despite all of the unknowns, we still have to have a plan for 2021. Here are some aspects of your marketing that, no matter what is happening with COVID, racial challenges, or politics, you need to focus on in 2021.

You can’t slide backward. Every business needs to consciously protect their market share and brand awareness. You can’t afford to slip from your consumer’s mind. You must maintain a baseline presence or your brand equity, top-of-mind awareness, and favored status with your current customers, or it will quickly erode.

It’s incredibly tempting just to lie low and wait for all of this to blow over. Keep in mind, there has never been an economic downturn where that decision worked out well for an organization. Once you start to slide, it’s incredibly expensive and potentially impossible to recover from.

Expect the need for adaptations. This is not the time to make long-term plans that are inflexible or don’t give you room to pivot. Change has always been an element in the marketing world, but given the societal issues we’re facing right now, it’s almost a constant. Whatever you are working on for 2021, build in plenty of wiggle room for you to shift as needed.

Be mindful when you sign contracts or make any long-term commitments that they have protectionary language that would allow you to react to something at a moment’s notice, be it a world event or something very local. 2021 is probably the year to think in quarters, not the entire year.

Yes, build the plan for the whole year but be ready to retool the plan every 90 days.

Don’t assume this is how it will always be. If there is one common theme running through our country right now, it’s that people are starving to get back to face-to-face interactions in every aspect of their lives. We will go back to in-person meetings, conferences, trade shows, and live demos. Yes, digital is all-consuming right now, and it absolutely should play a critical role in your 2021 plan, but so should human contact.

How, when, and where this will happen is still pretty murky. Many organizations are already working on their 2021 live conferences and trade shows and fully expect them to be well attended. You want to carve out a budget for live interactions (one on one or one to many) in anticipation that they’ll happen, so you don’t get left out.

Check your tone. There’s a lot of talk about being marketing tone-deaf these days. It seems as though the sensitivity meter is set on high for just about every person on the planet. You need to understand the issues and sensitivities of your audience and double-check your creative, messaging, and delivery to make sure that you’re in alignment with the current sentiments.

The level of consumer intolerance is at an all-time high when a company does not demonstrate a desire to be inclusive or acknowledge whatever issue is forefront in the consumer’s mind, so don’t put yourself in that sort of firestorm unnecessarily.

2020 was a year like no other, but we can’t let its magnitude paralyze us into being unprepared in 2021. We know enough to set ourselves up for success, and the time to execute that plan is now.

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Taking full advantage of email marketing

December 30, 2020

Since we dealt with email law previously, I thought it would be a good idea to look at some email marketing best practices that will help us avoid getting sideways with the regulations.

But before we get into how to do it well, let’s talk about the value of doing it at all. According to Hubspot’s report “The State of Email Marketing in 2020,” for every $1 spent on email marketing, the return on investment is $38.

Marketers who used segmented campaigns note as much as a 760% increase in revenue, and 78% of marketers have seen an increase in email engagement over the last 12 months.

It’s clearly effective when done well. So, how do you do it well?

Remember how it is viewed: 46% of all emails are opened on a mobile device. If your emails are not formatted to be visually pleasing on a cellphone, that should be fix No. 1.

Make sure you’re accessible: Over 1.3 billion people live with some level of visual disability.  There are some simple things you can do to make sure they can consume your content without missing any aspect of your communications. Learn how to create your emails so they’re screen-reader-friendly and watch your image contrast ratios.

Welcome emails perform better than any other email: Carefully crafting your welcome email (the first email sent to a new subscriber) is worth the effort. The average open rate is over 80%, and click-through rates exceed 22%.

Timing matters: When you send your email has a significant impact on whether your audience actually opens it. For the last several years, 9-11 a.m. and 3-5 p.m. have the highest open rates and click-through rates. The exception to that rule? Sundays. The peak time for opens on that one day of the week is 9 p.m.

If you don’t want them to reply, don’t email them in the first place: When you send out marketing emails, isn’t the whole point to engage your audience? It always baffles me why so many companies use a noreply@ address. The more interactive your emails are, the better. And it’s tough to interact with a noreply@ address!

Your emails should paint a picture with pictures! Emails with visuals and multimedia like video can have a 4x impact on click-through rates. Video performs twice as well as just including still images, and still images deliver double the results of a text-only email. Mixing your media usage will help keep things fresh and your audience engaged. But don’t overdo it. Too many images or videos will send you right into the spam folder!

Avoid the spam folder: Buying a list, emails that are too visual-heavy, sending too many emails a week, and not cleaning/purging your email list on a regular basis can all get you rerouted to your audience’s spam folder pretty quickly. That’s a lost opportunity that can easily be recaptured with some simple shifts.

Email marketing is one of the most reliable tactics available to businesses small and large.

When done well, it can create community, ignite interest in your products or services, and position you as an authority worth following.

It’s also one of the more cost-effective ways to build your brand, drive sales, and encourage repeat purchases when you do it well.

These best practices can get you started in the right direction if you’ve avoided email marketing in the past or help boost your performance if you’ve been at it for a while but aren’t seeing the results you want.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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Dealing with an online troll

December 23, 2020

Ratings and reviews play a critical role in how our prospects measure our worthiness, long before we know they’re out there. No one will make every client happy 100% of the time, and sometimes we’ll genuinely earn a mediocre review. But what do you do when a troll decides to target you?

We’re dealing with this right now for a client. Our client produces a monthly newsletter that goes out to their clients, prospects, and anyone who signs up on their website.

They’ve followed all of the laws and best practices around email marketing. They don’t buy lists, and they don’t add people without their permission.

This week, an irate man blasted them with a Facebook review, calling them spammers. He admitted that he chose not to click on the unsubscribe link because he’d rather leave nasty reviews and demanded to know how he’d gotten on their list.

Before leaving the review, he called their office and screamed at their office administrator, demanding to be removed from the list. She freaked out, and admittedly this is where a mistake was made. Typically, when someone unsubscribes, they stay in the CRM system, but their record is blocked, meaning they cannot be sent another email.

But she was so unnerved by his call that she deleted him entirely from the system, so there was no chance he’d ever get another email from the company. But it also meant we couldn’t review the record to answer all of his questions.

He got even more belligerent (commenting on his own review), promising he wouldn’t go away.

We consulted with an attorney who specializes in this area. She told us that here in the U.S., he has a right to:

  • Know what data of his you have.
  • Ask you to delete his data.
  • Tell you not to contact him again.

Interestingly, the rights don’t include a business having to tell the person where their information came from. We would have gladly told him that information if we could have retrieved it. But we were not in any way violating the law by not being able to share that information.

While we were gathering up all of this information, the troll continued to email the business owner, promising that this was not over, and he’d leave a bad review everywhere he could. He also admitted that he does this to every business that sends him an email that he believes he did not request.

We reached out to our client’s customers, explained the problem, and asked them to leave an honest review to push his review down on the site.

The business owner, who had already replied to the review on Facebook with an apology and explanation, sent the troll an email restating the apology and giving him all the information he could, and offered to let the troll speak to the business’s attorney. Since then, the troll has left three more scathing reviews on different sites, and the loyal clients of this business have responded with reviews to water down the impact.

What are the lessons here?

  • Monitor all review sites daily.
  • Be sure you are following the most up-to-date rules and laws.
  • Include an unsubscribe option on every marketing email.
  • Build your community so they will rally behind you if needed.
  • Deal with trolls quickly and directly.
  • And maybe the most important one: Trust people to see the troll for who they are and to temper their reaction to the review accordingly.

Email marketing is still one of the most effective tactics out there. Do it well, and don’t let a troll dissuade you from continuing to use it.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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Where did your confidence go?

December 16, 2020

If there has ever been a year when our confidence has taken a knock to the chin, it’s 2020. If you are like most marketers, January and February gave every indication that 2020 was going to be a breakout year for you.

Many businesses reported the most robust January they’d had in a decade and were looking to exceed goals. And then COVID hit. Many of us went two to three months feeling that it was inappropriate to sell at all, and when we did sell, it was a bit apologetically.

As if that weren’t enough, the combination of COVID, racial tensions, economic challenges, back-to-school maybes, and just feeling like we are being restricted and contained at every turn has caused an underlying malaise in just about every human I know.

Given everything we’re all carrying on our shoulders right now, how in the world do we muster up the confidence to sell?

Marketing and sales are all about confidence. When you believe in what you’re selling, know it is the right answer for the prospect, and can see the benefits the prospect could enjoy, it’s much easier to approach a new opportunity and offer your assistance.

That’s where I think we can regain our confidence: by recognizing that we have something valuable to offer and by seeing it as us offering assistance. Your marketing should be helpful and useful, which builds trust. Once the trust is seeded, sales is about continuing the trust-building while offering tailored solutions that are going to exceed expectations.

Barbara Corcoran, from ABC’s “Shark Tank,” recently shared a letter that she wrote to the show’s producer, Mark Burnett. It’s clear from the letter that she had received a “thanks, but no thanks” response to her audition and I’m sure Mark expected her just to exit gracefully.

Instead, she sent him this letter, outlining very respectfully why this was not the right decision. Her arguments were not about her but how he was taking a more significant risk by not allowing her to come to LA for the final tryout, even though her rival for the position would be there as well.

She called Burnett’s rejection a lucky charm and then gave him point-by-point suggestions of how his final decision would be more reliable if he reconsidered her for a role on the show.

The entire letter exudes confidence. There’s nothing arrogant about it, but as she builds her case, you begin to understand what a formidable force she really is. She ends the letter acknowledging that it is his decision, but she’s already booked her flight and hopes he invites her to get on that plane.

As I studied the letter, I identified some of the sources of her confidence that we can all learn from as we rebuild our own:

She reflects on her past successes and sees them as a progression of her skills, accomplishments, and lessons learned.

She thinks about the opportunity from the buyer’s (Mark Burnett) perspective and demonstrates that he’s at risk of making a bad decision if he does not consider her in the mix.

She suggests ways he could improve his decision-making process, whether she is chosen or not.

She compliments him and recognizes his depth of expertise in his field.

She ends with the presumptive act of confidence (booking the flight).

Breaking that down, it’s about having faith in yourself and what you sell. It’s about truly understanding what your potential buyer is trying to accomplish and his or her situation and being helpful in their efforts, and it’s about a confident close, knowing you can make a difference.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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The hero’s journey continues

December 9, 2020

If you’ve been following along, we are halfway through the stages of the hero’s journey, the construct we can use to think about weaving elements of storytelling into our marketing. I left off at the stage where the hero (our prospect) meets the sage sidekick (our product, service, or brand).

In my example, our hero is a 55-year-old woman who is dealing with her aging father. She suspects her dad is showing signs of early dementia, but it may also just be forgetfulness. She had just met the sage sidekick through the nursing home’s website. It was not created to sell but to help.

It included tips for keeping a loved one at home, assessing whether or not staying in the home was a safe solution, and asking questions to evaluate nursing homes. This facility also offered caregiver support groups, regardless of whether their loved one was still at home or even at a different facility.

The site was created to genuinely help our hero make the right decision, which is why she ultimately kept going back as she weighed her options. It became a reliable and trusted resource. It is worth noting that the nursing home whose website our hero keeps visiting has no idea she is out there or who she is. But they’ve already begun a relationship with her.

The next stage is crossing into the unfamiliar: Our hero has decided to explore her options, searching for the right choice for her dad. This stage is where the hero braces to face and fight the unknown. They’re anxious at this point because they know they’re going to encounter resistance, opposition, and doubts. In our example, our hero is worried about what her siblings will think and wonders if they can even afford a nursing home or in-home help.

When she gets stuck or afraid, she turns to the sidekick for guidance and reassurance. The confidence she gains allows her to step deeper into the unknown, ready to face whatever lies ahead.

The battle: This is rarely a physical battle in our marketing world. But it might be a battle of options. Or opposition. Or the desire to go back to the status quo because it would be easier, even if our hero knows it’s not the right decision. This is the moment when the decision is made.

In our example, our hero must now choose the right nursing home because dad needs more care than she can provide. (In this stage of the journey, she will meet the actual brand and staff from the website she’s relied on, so the hero becomes even more real.) She might have to fight her siblings to make this decision. Or she may be plagued with guilt because of the conversation she had with her mom about caring for dad. But ultimately, she might do what she knows is right, even if it’s incredibly difficult.

The reward: This is the stage where the hero celebrates that they fought whatever was in between them and the right decision; they battled it out and won. Now they’ve solved the original challenge, and because of the journey, they are wiser and hopefully more content.

To wrap up our example, our hero’s dad is thriving in his new home, and he is healthier because he’s getting specialized attention from the nursing staff and eating better. The daughter can stop spending all of her time being his caregiver, and instead, just enjoy her time with him as his daughter.

I’ve simplified the steps down to what I believe are essential from a marketing perspective. But hopefully, this gives you an idea of how you could map out the core story and then build marketing messages from that story.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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Walking out the journey with your client

December 2, 2020

We’ve been exploring what it means when someone tells us that we should be using storytelling in our marketing efforts. Today, I want to delve into the idea of the hero’s journey. For most people, the concept that our customer needs to be the hero of the story and that the brand can be a useful sidekick makes sense. But the idea of being able to bend your marketing messages into a tale of a journey feels a little less tangible.

Don’t start out worrying about the marketing message. Just think about your prospect and how you want them to move from where they are right now (before they buy from you) to the story’s happy ending, where because they found your product or service, they’re in a much better place.

There are stages within the story/journey. Let’s look at those stages and how a hypothetical business might build out the story.

The first stage is the status quo: In my example, the hero of my story (my prospect) is a 55-year-old woman who is dealing with her aging father. She suspects her dad is showing signs of early dementia, but it may also just be forgetfulness.

The next stage is the challenge: The daughter is spending more time caring for her dad but wants dad to be able to stay in his own home because she promised her mom she’d watch over her dad, and moving him into a nursing home feels like she isn’t doing that. But it’s getting tougher to keep him home every day.

Next comes the refusal of the challenge: This is where our hero feels stuck. She wants her dad to be healthy and not need her to make this decision. What if she makes the wrong decision and doesn’t keep her promise to her mom? What if she leaves him at home and he falls when she’s not there? Or what if she chooses the wrong nursing home and he gets inadequate care?

This next stage is critical. It’s where our hero meets the wise sidekick: The daughter spends more time on the internet, looking for ideas and guidance for caring for her father. She finds a local nursing home’s website that is organized in a way that she can understand. It offers tips and resources for keeping a loved one at home. It has assessments so someone could gauge whether or not staying in the home was a safe and practical solution. It has a list of questions to ask every nursing home to assess each facility and find the perfect fit for your loved one.

This site also had testimonials from real people (with their names included) talking about the care their loved one received at this particular facility. It offered caregiver support groups for anyone in the community, regardless of whether their loved one was still at home or even at another facility.

None of this felt like a sales pitch because it was built to help site visitors genuinely make the right decision for their family. The sage sidekick demonstrated over and over again both their expertise/knowledge and their compassion with empathy for the family member dealing with this situation.

This is the pivotal moment in the story. Will the hero trust the sage sidekick enough to engage them? Will they decide they must continue the journey but invite the sidekick to join them?

And like any good story, we’ll stop here at this cliffhanging moment. I’ll wrap up the deep dive into the journey part of storytelling by finishing this example next time.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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Your brand is the sidekick to your customer

November 25, 2020

As we continue to explore the concept of storytelling within marketing, we’re going to turn our attention to you today. Previously, we discovered that you/your brand is not the hero of the story. This is something many brands get wrong. You have to make your customer the hero of the story. They need to see themselves in the current reality, fighting whatever the adversary may be. But a critical part of any story is who goes on the journey with the hero.

In Harry Potter, that would have been Hermione; in Star Wars, it was Yoda and Obi-Wan. In your story – it’s you.

If we were truly constructing a story, we’d begin to define and describe the sidekick so we could portray them authentically within the story. If you google sidekick archetypes, you’ll see models that offer up seven to 11 or so distinct types of sidekicks.

Let’s take a look at some of the most useful archetypes.

The innocent: They’re trusting, optimistic, and wholesome. This character reminds us to slow down and enjoy the journey. A great example would be Coke or Dove.

The hero: This brand saves the day. They’re fearless and fight alongside the story’s hero to beat the foe. FedEx’s old brand – when it absolutely, positively has to be there overnight was a smart hero brand.

The everyman: This sidekick is comfortable because they’re approachable and don’t take themselves too seriously. They’re fair and have high values and integrity. Budweiser and Levis are good examples of this archetype.

The lover: This archetype is all about the relationship so loyalty, connection, and commitment are crucial. They have an enthusiastic appetite for life. Brands that are indulgences like Godiva or are all about expressing emotions like Hallmark are lover archetypes.

The caregiver: The name says it all. This archetype is all about giving care with incredible compassion, generosity, and with fierce protectiveness. Good examples include Johnson & Johnson and Volvo.

The rebel: Rebels are unconventional, outrageous and a little radical. They fight the establishment and often march to the beat of their own drum. But they are forgiven for this brash behavior because they are unfailingly honest and courageous. Harley Davidson and Des Moines based Raygun are excellent examples.

The magician: Magicians are the dreamers who inspire transformation and a sense of wonder. They have incredible charisma and curiosity and can help others see the dream. As you might imagine, Disney is an ideal example.

The sage: They are the source of wisdom, direction, and answers. They seek truth and knowledge but balance that left side of their brain with a deep understanding of how humans function and change. Mayo Clinic and PBS are sage archetypes.

The explorer: These characters are all about adventures, being independent and self-sufficient, and will satisfy their curiosity through new experiences and perspectives. Jeep is the ultimate explorer archetype.

Just like people are not a single personality trait, your brand won’t be either. But you will have a dominant type and a couple of supporting archetypes. Think of your dominant archetype as the headline and central point of any communications piece. The supporting types can show up in the body copy as proof points.

What makes this so compelling is the emotional connection that you can create between these archetypes and your audience. We know all buying is emotionally based so that connection, or lack thereof, will move the prospect closer to actually buying or show them that you’re not a good fit, and they’ll move on faster. Either outcome is good for you.

Next time we’ll delve into the journey that the hero (your customer) and the sidekick (you) go on together.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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Storytelling 2.0

November 11, 2020

As marketers, we are continually being told that we should tell stories. But what exactly does that mean?

It’s recommended that we use one of the 14 character archetypes (the rebel, the outsider, the warrior, etc.) so the audience can relate to us. Then, we should make the customer the hero. And of course, we should follow one of the seven story frameworks (the quest, the rebirth, etc.) to build our stories, so they feel like a book or movie.

But even if we do all of that, is the audience going to care about a story featuring our product or service? If that were the case, wouldn’t most TV shows be about diapers or SUVs?

Let’s go back to our advertising roots and look at how storytelling and marketing first got blended together. Benton & Bowles was an agency based in New York that was launched in 1929 by William Benton and Chester Bowles. One of their largest clients at the time was Procter and Gamble. In a world we would struggle to understand, their challenge was that they didn’t have a channel that would allow them to reach enough of their target audience – homemakers.

Their solution was brilliant. There was no channel that attracted their core audience, so they created one.

They invented the radio soap opera so they could create sponsorships and ad placements for P&G and their other clients who wanted to target homemakers with their message. By 1936, they were responsible for three of the four most popular radio shows on the air, including “As the World Turns.”

When television arrived, Benton & Bowles replicated their radio success and launched a TV version of their most popular show, “As the World Turns,” in 1956 specifically for their client Procter & Gamble.

P&G sponsored or advertised on that show until it was canceled in 2010. Somewhere along the way, the network bought the show from Benton & Bowles, but they negotiated P&G’s exclusivity as part of the deal.

Red Bull is a modern version of the Benton & Bowles philosophy of creating media channels and telling stories that their audience wants to hear.

They didn’t buy ads or tell stories about their energy drink. They dug in deep and tried to learn all they could about their target audience, 18- to 35-year-old males. They started just hanging around them at college parties, coffee shops, libraries, and bars, paying attention to the conversations, passions, and worries of their audience. They handed out samples and listened.

From there, they started sponsoring events that appealed to that same audience. Concerts and extreme sporting events were high on their list, but even that wasn’t enough. They decided they wanted to own the channel to elevate their ability to tell stories. They created their own magazine, the Red Bulletin, in 2005.

They cover sports, culture, music, nightlife, entrepreneurship, and lifestyle stories. The focus is on people 18-35 who accomplish extraordinary achievements, move beyond the norm, test their limits, and passionately seek adventures while breaking new ground.

If you ever flip through their magazine, you’ll notice there is minimal mention of the product. Their Instagram account has over 13 million followers, and every photo is an extreme sports moment (with a lot of athletes wearing Red Bull logo apparel!).

In your head, I suspect you’re saying, “Yeah, but they’re Red Bull. That wouldn’t work for us because we sell X.” Think this strategy won’t work for B2B? Next time, I’ll show you a remarkable example of just how well it is working.

From there, we’re going to talk about how you can begin to tell your story in a way that attracts your ideal audience, holds their attention, and creates customer loyalty.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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How to market when no one is listening

October 14, 2020

We are in unprecedented times. As our country and state continue to deal with whatever the coronavirus throws at us, it’s a little tough to be thinking about your next marketing tactic.

I want to remind you that this isn’t actually the first time most of us have seen a season like this. 9/11 and the Great Recession were very similar. Events outside of our control had an incredible impact on the economy, our businesses, families, and personal finances. This particular threat feels even more imposing because we’re also facing a health concern.

The country will survive this. The question is – how will businesses fare? There’s no doubt that companies have been harmed. Our goal is for you to mitigate as much of the risk as possible and prepare your organization for the calm that always comes after the storm.

That’s the good news – no storm rages on forever. There’s always a calm that comes after the storm has run out of steam. We’ll get to that point too, just like we did after 9/11 and the recession. But first, we have to do all we can to survive the storm.

How do you market when no one is listening, and even if they are, they’re probably not in a position to buy? It’s time to move to a long-term strategy. What you do now isn’t about immediate sales. It’s about making a sale in six months or a year.

This is not the time to capitalize on the situation. We’ve already seen opportunists re-tooling their marketing to seize the opportunity. When people are in panic mode, they don’t react well to feeling taken advantage of by someone they thought they could trust.

No sale or coupon is going to get people to care about what you have to sell right now unless it’s a necessity as they wait out this storm.

It’s time to shift entirely into “be of service” mode. It’s time to focus your attention, time, and efforts into helping your customers, prospects, and employees through this season.

How can you help? That’s the question to keep asking yourself. What can you do that will genuinely be of service to your most important audiences?

Let me give you an example.

Shine Distillery & Grill, a small distillery in Portland, OR found a unique way to help. The first batch of alcohol in their distilling process isn’t drinkable. They’ve been throwing it away after using a little bit of it as a cleaning agent to keep their facilities shiny and disinfected.

At the onset of the pandemic, as they watched people scrambling to find hand sanitizer, it occurred to them that they might be able to help others during the coronavirus. They reached out to local authorities to find out what they would have to do to use their waste alcohol as a sanitizer. Turns out as long as they’re not making medical claims – they can bottle it and give it away. It’s an 80% alcohol solution that is well above the CDC’s 60% recommendation.

Maybe you can’t replicate that. But perhaps you can create some financial relief through a payment program for your customers and then build a communication strategy around that. Perhaps you can hold educational webinars that help your prospects, and customers save money or serve their customers better in this odd moment in time. What if you gave your smaller customers access to some of the perks that your more prominent clients enjoy?

That’s being of service without remuneration. For now. I believe that kind of generosity is our marketing mandate right now.

Be of service.

This was originally published in the Des Moines Business Record, as one of Drew’s weekly columns.

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How do I pick you out of the crowd?

September 30, 2020

A few summers ago, my daughter and I spent some time in South Africa on a safari. When we first got there, all of the zebras pretty much looked the same, other than their relative size. But as we looked more closely (and our guides patiently pointed it out), we began to recognize that every zebra’s stripes are unique, like fingerprints.

I commented that it would have been a lot easier to pick out a specific zebra if they each had a single stripe of a unique color. They would have been easy to identify, even from a distance.

To your consumers, when they look at you and your competitors in the early stages of their buying process, you’re like that zebra herd, with all of the animals looking pretty much the same. One of the most crucial elements of your marketing plan is being very specific about how you are different from everyone else. We need to paint one of your stripes a unique color.

Today, we are going to focus on how to make sure your prospects can pick you out of the crowd.

This is not a stay on the surface activity. If all of your competitors can claim the same point of difference (i.e., it’s our people, we partner with our clients, we truly care, etc.), then it actually is not a point of difference.

To identify what genuinely makes you unique, you have to drill deeper than those surface statements that, in fairness, are true about most good businesses including our competitors. You have to ask some tougher questions if you want to get to a truth that only you can own. If all of your competitors can say “we do that too” then it is not unique enough.

The way to get started is to ask yourself these questions:

Is there something unique about our business model and how we deliver our product/services? (Do you embed an employee into your client’s office or do you get compensated based on their sales success?)

Do we have knowledge or expertise that most people do not have? (Are your employees all nurses, so they have incredible medical knowledge or have all of your travel agents been to Africa?)

Do you take a common element in your industry and do it to an extreme? (Do you give away free soda and sunscreen at your theme park or do you donate a pair of socks to the homeless for every pair of socks you sell?)

Is your business taking a delivery element and re-inventing it? (Are your bank branches open until 8 pm or does your team stay onsite for a day to make sure everyone is trained on your equipment?)

Is your product or service genuinely different than what your competitors’ sell? (Is your seed a new hybrid that you just created or are you using artificial intelligence in a way that no one has imagined before?)

Don’t let features and benefits fool you. They are rarely what makes your business, product, or service unique.

This is not an easy exercise, which is why most companies can’t articulate what really makes them different. If you are willing to go to the effort to uncover your distinct position or create one if there isn’t one in place – your marketing is about to get much simpler.

This was originally published in the Des Moines Business Record as one of Drew’s weekly columns.

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